Guest blogger

The composer's musical fight for civil rights is the focus of an intriguing new digital exhibition, explains Anna Barry
Stephen Johnson meets members of the orchestra whose trademark is its memory
Pianist Danny Driver on why Beethoven's early works should get a fairer hearing
Violinist Liza Ferschtman on how young musicians can break away from the sound of their heroes
Mike George explains how he went about recreating a lost incidental score
Hugh Collins Rice argues the case for transcription in a technological age
Violinist Francesca Dego explores why the composer’s violin concerto has missed out on a place in standard repertoire
Every day throughout Advent, we'll be introducing a different cathedral from around the UK and occasionally beyond
Artistic director of Birmingham Contemporary Music Group Stephan Meier on how crowdfunding is backing new music
Why a major work written in 1920s Russia has only recently come to light